As the collaboration continues, the ability to convey often quite technical musical terms is becoming ever more apparent. For Violet, this is her first venture that considers sound equally as much as physical movement and dance – so its only … Continue reading →

When I was asked to develop a new section of the piece, I set myself one rule: Nothing comes in from outside. No samples or synthesis. No sounds that don’t already exist within the dance studio. I didn’t want to … Continue reading →

The first session with Violet involved a good amount of testing the practicalities of the concept. I was pleasantly surprised that the vague concepts I had imagined , of looping the skipping rope sounds, were easy to actualise, and equally … Continue reading →

In the days prior to my first session with my collaboration partner, Violet Savage, I took some time to consider the kind of sonic palette that I could work with, particularly within a modern dance framework. With the sound of … Continue reading →

“Document your progress in forming a group to collaborate with on your blog“ On the 17th February 2026, I was introduced to dancer Violet Savage. “Violet Savage is a dancer from London. Their work explores movement at the intersection of … Continue reading →

Integrative Collaboration: Transforming the field and the Participants This is the collaborative methodology I would like to pursue in my forthcoming collaboration project. In classes, and whilst preparing for my upcoming sound art collaboration, I have been considering not only … Continue reading →