I listened to examples of compositions designed for a spacialisation setting and began thinking about sound in relation to the X, Y and Z axes. I also considered speaker placement and the way in which quieter or louder instances within the space can emerge as both a source of inspiration and a challenge to consider.

My score for the upcoming Multi-Channel Playback.

As described in the image, I intend for the installation to possess a hazy quality in which (dependant on ones position within the space) certain ‘ghost notes’ or ‘ghost melodies’ may appear to be perceived – as though one were attempting to recall the sounds of half-forgotten memory.

Here, William Basinski’s ‘Disintegration Loops’ and the ambient-drone music of Chihei Hatekeyama are primary sources for my sonic palette- vast swathes of rich, foggy sound, containing the faintest traces of melody.